Top 5 K-pop Songs Ringtones - How to Get Them on Your Phone
You are in a public place, and suddenly an iPhone starts ringing. Probably this is when several people around you start fumbling through their pockets in search of their iPhones. The best way to make sure that the call is actually for you is to set up a custom iPhone ringtone. Here you will learn how to make a ringtone on iPhone, and there are three good reasons to create custom iPhone ringtone:
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We will walk you through three ways to make free ringtones for iPhone. You can use websites, the GarageBand app, or iTunes to convert songs to ringtones. Select what applies best to you:
The easiest way to get free ringtones for iPhone is to use one of the many websites to download existing ringtones. Most of them also offer the possibility to upload your favorite song to convert it into a ringtone.
No matter which site you go for, the procedures to create custom ringtones are almost identical. In the following steps, I used www.melofania.club to download and create free custom ringtones for my iPhone.
Now, you can easily select the part of the song you want to convert into a ringtone. Most sites allow ringtones with a maximum length of 30 seconds. Once you finish, confirm your choice by clicking on Create ringtone.
Plug your iPhone into your computer and drag the newly created ringtone from the Windows Explorer window into the Tones section in iTunes. After that, it should be displayed under the ringtones section on your iPhone.
Malaysian popular music has its origin in local musical tradition and popular European music styles. Some of the early musical styles, performers, and songs of Kroncong and lagu-lagu rakyat (folk songs) were common to the musical culture of Malaysia and Indonesia.[1] Starting in the 1920s, local social dance and entertainment music such as asli, inang, joget, dondang sayang, zapin and masri were adapted by Bangsawan troupes to Anglo-American dance band arrangement but keeping the local folk character, and developed into modern Malay popular music.[2] The Bangsawan troupes originated in the 19th century as a form of opera called Wayang Parsi that developed as an adaptation of Persian theatre brought to Malaya by performers from Bombay.[1] They portrayed stories from diverse groups such as Indian, Western, Islamic, Chinese, Indonesian and Malay with music, dance and acting in costumes. The musicians were mostly local Malays, Filipinos and Goans. Famous early singers such as Temah, Tijah and Dean often incorporated Chinese, Middle Eastern and Indian elements in their songs.[2]
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Western popular music has continually influenced Malaysian popular music since its early days. In the pre-World War II era, songs based on Anglo-American and Latin-American dance music sung in Malay were very popular. These songs were accompanied by dance bands that became known as orkes Melayu (Malay orchestra). The orkes Melayu, which influenced dangdut, was played at dance halls in amusement parks, bangsawan shows and other festivities. Early singers were often Filipinos originally brought to Malaya by the British to form the Selangor State Band (a military band), for example Soliano, D'Cruz and Martinez.[2] In the 1960s and 1970s, influenced by Western rock bands, a modified rock combo called kugiran (an acronym of "kumpulan gitar rancak", meaning rhythmic guitar bands) often accompanied singers. From the 1970s to 1980s, a Western orchestral sound also became popular as musical accompaniment in albums, which is widely assumed to be due to the influence of RTM Orchestra.[1]
One of the earliest modern Malay pop songs was "Tudung Periok", sung by Momo Latiff, who recorded it in the 1930s.[5] Many of the singing stars became popular through Malay films in the early era. In the 1940s and 1950s, singers who achieved popularity through their films and recordings were P.Ramlee, R. Azmi, Jasni, Ahmad C. B., S. M. Salim, Saloma, Momo Latif, and Nona Aisha.[4] Some of these singers had Bangsawan or Kroncong background. The songs of this era were influenced by foreign music styles such as those of Latin American dance, Hawaiian music and Indian films. They were also mostly romantic in nature, in what might be called the "hatimu hatiku" ("your heart, my heart") syndrome, and for decades Malay pop music was dominated by songs with words like sayang (love), cinta (love) and gadis (girl) in the title.[4]
The most important of the early singers was P. Ramlee whose career spanned a period from the late 1940s through to the early 1970s. He became the most popular Malay singer and composer with a range of songs such as "Azizah", "Gelora", "Dendang Perantau" and the evergreen "Di Mana Kan Ku Cari Ganti". It has been estimated that he wrote over a thousand songs and recorded around five hundred, some of which still remain popular today.[6]
In the 1960s, Western pop music was particularly influential on local music scenes in Malaysia, Singapore, and Brunei. When Cliff Richard and the Shadows played in Singapore in 1961, he inspired many copycat acts,[7] and public viewing of the Cliff Richard's films in the region were often augmented with local cover bands emulating their songs.[8] One particular genre influenced by Western guitar-band called 'Pop Yeh-yeh' came to the forefront and ruled the Malay music scene from 1965 to 1971. This genre was influenced by the music and fashion of The Beatles and other British rock and roll bands during the 1960s that also generally influenced the Malay music industry of that period. In fact, the term "pop yeh-yeh" was taken from a line from the popular Beatles song, "She Loves You" ("she loves you, yeah-yeah-yeah").[9]Southern European yé-yé music has the same etymology.The term "pop yeh yeh" however was never used in the 1960s but used much later when such music was revived in the 1980s by M. Shariff & The Zurah. It might be that music journalists of the 1980s coined the term.
The formation and development of Kugiran encouraged the establishment and existence of various recording companies in Singapore in the 1960s and a lot of these songs were recorded on vinyl and sold well commercially. Some of the singers who made their name during that period include among others M Osman, A Ramlie, Jeffrydin, Roziah Latiff & The Jayhawkers, Adnan Othman, Halim "Jandaku" Yatim, Afidah Es, J Kamisah, Siti Zaiton, J. Sham, A Rahman Onn, Hasnah Haron, J Kamisah, Fatimah M Amin, Asmah Atan, Orkid Abdullah, A. Remie, Zamzam, Salim I, Kassim Selamat, M Rahmat, A Karim Jais, M Ishak, Hussien Ismail, Jaafar O, A Halim, Azizah Mohamed, S Jibeng and L Ramlee. Other popular rock and pop bands of the period include The Rhythm Boys, The Siglap Five, The Hooks which featured A Romzi as their lead vocalist (they scored a hit with the song "Dendang Remaja"), Siglap Boys, Les Kafilas, Cliffters featuring Rikieno Bajuri, Impian Bateks featuring Run Al-Haj with his popular number "Naik Kereta Ku" and a cappella like "Oh Posmen", "Gadis Sekolah" etc., The Swallows featuring "La Aube", "Angkut-angkut Bilis" etc. whose vocalist was Kassim Selamat and the EP was featured in a radio station in Germany. There, "La Aube" was in the German pop chart. Almost all the above-mentioned artistes were Singaporeans. The most popular ones from the Malaysian side of the divide must include L. Ramli, Roziah Latiff & The Jayhawkers, J.Sham, Orkes Nirvana, The Sangam Boys and Les Flingers. The music and lyrics were usually composed by the bands themselves. The band leaders were also the producers of the albums of the period.[original research?]
DJ Dave, Hail Amir and Uji Rashid introduced Hindustani-influenced music in the 1970s. Between the late 1970s and mid-1980s, the market for local recordings and artiste was in big demand, bands and musicians performing in clubs and pubs were contracted to record. Although The Jayhawkers led by Joe Chelliah was the first wholly non-Malay pop band to record Malay pop songs as a precursor, it was in the mid-1970s that later non-Malay